Sophie Calle is
a French artist who continues to interest me due to the unusual stories behind
her work, giving them an exciting and diverse edge. In this blog I want to
explore 3 of her most known series: Suite Venitienne, The Chromatic Diet and
The Hotel.
Suite Venitienne
was a series that started when Calle coincidentally saw a stranger twice in one
day, on the second encounter Calle prompted a conversation with the man and
learnt he was on his way to Venice. Calle took it upon herself to follow him to
Italy without him knowing and document his journey. I think the spontaneity of
this series really emphasises and reflects in her work.
A year later,
Calle took a job as a chambermaid in a hotel, during her days cleaning the
bedrooms she would photograph personal belongings, open suitcases, read diaries
and looked through their bins and laundry. Although this may be quite
controversial, and open up a lot of conflict due to the invasion of space, her
work opens up a whole new spectrum and makes her work extremely compelling.
In 1998, Calle
ate a diet of food that was just a single colour for 6 days, which was titled
‘The Chromatic Diet’. I think Calle’s work embodies imagination and thinking
outside of the box: which as artists we should all be doing to push boundaries
and unfold a whole new level of ideas.
Suite Venitienne |
The Hotel, Room 28 |
The Chromatic Diet |
Reference List:
http://www.tate.org.uk/art/artists/sophie-calle-2692
http://www.iniva.org/dare/themes/space/calle.html
'The photograph as Contemporary art' by Charlotte Cotton
http://www.tate.org.uk/art/artists/sophie-calle-2692
http://www.iniva.org/dare/themes/space/calle.html
'The photograph as Contemporary art' by Charlotte Cotton
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